CD 1 (79:51)
|
| Pathé Frères, Berlin, January 1914 |
| with studio orchestra, with unidentified conductor |
| 1. |
LOHENGRIN: Einsam in trüben Tagen (Wagner) |
3:29 |
| |
(55978) 35cm center-start disc 5844 [Cylinder to disc transfer number RA 1110] |
|
| 2. |
LOHENGRIN: Euch Lüften, die mein Klagen (Wagner) |
3:35 |
| |
(55979) 35cm center-start disc 5844 [Cylinder to disc transfer number RA 1008] |
|
| Deutsche Grammophon Gesellschaft/Polydor, Berlin, October 1917 |
| with studio orchestra, conducted by Bruno Seidler-Winkler |
| 3. |
TANNHÄUSER: Dich, teure Halle, grüß’ ich wieder (Wagner) |
3:39 |
| |
(1101m) 76353 [043294] |
|
| 4. |
TANNHÄUSER: Allmächt’ge Jungfrau (Wagner) |
3:56 |
| |
(1102m) 76354 [043295] |
|
| 5. |
LOHENGRIN: Du Ärmste kannst wohl nie ermessen (Wagner) |
4:08 |
| |
(1103m) 76355 [043296] |
|
| 6. |
DIE MEISTERSINGER VON NÜRNBERG: Gut’n Abend Meister! … Doch starb Eure Frau (Wagner) |
8:40 |
| |
with Michael Bohnen, bass
(1107m) 76357 [044299]/ (1108m) 76364 [044306] |
|
| 7. |
FAUST: Il était un roi de Thulé (Es war ein König in Thule) (Gounod) |
3:56 |
| |
(1109m) 76368 [043309] |
|
| 8. |
FAUST: Il m’aime (Er liebt mich) (Gounod) |
2:31 |
| |
(19037L) 74607 [2-43540] |
|
| 9. |
FAUST: Alerte! alerte! (Auf, eilet! Auf, eilet!) (Gounod) |
2:38 |
| |
with Robert Hutt, tenor and Michael Bohnen, bass
(19038L) 74596 [3-44159] |
|
| Deutsche Grammophon Gesellschaft/Polydor, Berlin, September 1918 |
| with studio orchestra, conducted by Bruno Seidler-Winkler |
| (Within this session, we have altered the matrix order sequence for musical continuity.) |
| 10. |
LA BOHÈME: Mi chiamano Mimì (Man nennt mich jetzt Mimi) (Puccini) |
4:18 |
| |
(1200m) 76402 [043338] |
|
| 11. |
MADAMA BUTTERFLY: Spira sul mare e sulla terra (Über das Meer und alle Lande) [Entrance of Butterfly] (Puccini) |
2:51 |
| |
(19184L) 74604 [2-43529] |
|
| 12. |
MADAMA BUTTERFLY: Piangi? Perché? … Un bel dì vedremo (Weh’ mir, du weinst! … Eines Tages sehen wir) (Puccini) |
4:09 |
| |
(1244m) 76411 [043355] |
|
| 13. |
EUGEN ONEGIN: Kto ti: moi angel li khranitel (Sag’, bist als Schutzgeist du gesendet) [Letter Scene] (Tchaikovsky) |
3:38 |
| |
(1221½m) 76369 [043310] |
|
| Sung in D-flat |
| 15. |
MIGNON: Elle est là, près de lui (Dort bei ihm ist sie jetz) (Thomas) |
4:00 |
| |
(1228m) 76413 [043362] |
|
| 16. |
CARMEN: Je dis que rien ne m’épouvante (Ich sprach, dass ich furchtlos mich fühle) (Bizet) |
4:17 |
| |
(1221m) 76478 [B 24073] |
|
| 17. |
LE NOZZE DE FIGARO: Porgi, amor qualche ristoro (Heil’ge Quelle reiner Triebe) (Mozart) |
3:56 |
| |
(1225m) 76414 [043363] |
|
| 18. |
LE NOZZE DE FIGARO: Deh vieni, non tardar (O säume länger nicht) (Mozart) |
3:54 |
| |
(1226m) 76477 [043333] |
|
| 19. |
DER FREISCHÜTZ: Wie nahte mir der Schlummer, bevor ich ihn gesehn? … Alles pflegt schon längst der Ruh’ (Weber) |
8:34 |
| |
(1229m) 76482 [B 24088]/(1106m) 76356 [043297] |
|
| (Both sides of this aria were originally recorded during Lehmann’s first Deutsche Grammophon session as matrices 1105m and 1106m. The first side was either rejected as unsuitable or it was damaged in processing. Part one of the aria was recorded again during her second session as matrix 1229m. The original recording of side two on matrix 1106m was released along with the re-recording of side one.) |
CD 2 (78:53)
|
| Deutsche Grammophon Gesellschaft/Polydor, Berlin, September 1918 (continued) |
| 1. |
MANON: Obéissons quand leur voix appelle … Profitons bien de la jeunesse (Folget dem Ruf, so lieblich zu hören … Nützet die schönen, jungen Tage) [Gavotte] (Massenet) |
2:58 |
| |
(19185½L) 74598 [2-43524] |
|
| 2. |
DIE WALKÜRE: Du bist der Lenz (Wagner) |
2:18 |
| |
(19186L) 74597 [2-43524] |
|
| Deutsche Grammophon Gesellschaft/Polydor, Berlin, September 1920 |
| with studio orchestra, conducted by Bruno Seidler-Winkler |
| 3. |
SUOR ANGELICA: Senza mamma, o bimbo, tu sei morto (Ohne Mutter bist du, Kind, gestorben) (Puccini) |
4:10 |
| |
(150ap) 76405 [043346] |
|
| 4. |
SUOR ANGELICA: Amici fiori che nel picco seno (O Blumen, die ihr Gift im Kelch verschliesset) (Puccini) |
3:52 |
| |
(151ap) 76406 [043347] |
|
| 5. |
LE NOZZE DE FIGARO: Crudel! Perchè finora farmi languir così? (So lang’ hab’ ich geschmachtet) (Mozart) |
3:06 |
| |
with Heinrich Schlusnus, baritone
(152ap) 76412 [044328] |
|
| 6. |
DIE ZAUBERFLÖTE: Bei Männern, welche Liebe fühlen (Mozart) |
3:17 |
| |
with Heinrich Schlusnus, baritone
(153ap) 76415 [044330] |
|
| 7. |
MIGNON: Légères hirondelles, oiseaux bénis de Dieu (Ihr Schwalben in den Lüften) (Thomas) |
3:34 |
| |
with Heinrich Schlusnus, baritone
(154ap) 76409 [044326] |
|
| 8. |
DON GIOVANNI: Là ci darem la mano (Reich’ mir die Hand, mein Leben) (Mozart) |
3:06 |
| |
with Heinrich Schlusnus, baritone
(155ap) 76410 [044327] |
|
| Deutsche Grammophon Gesellschaft/Polydor, Berlin, October 1920 |
| with studio orchestra, conducted by Bruno Seidler-Winkler |
| 9. |
OBERON: Ozean, du Ungeheuer (Weber) |
7:51 |
| |
(1377m) 76455 [B 24036]/(1378m ) 76456 [B 24037] |
|
| 10. |
DER WIDERSPENSTIGEN ZÄHMUNG: Es schweige die Klage (Goetz) |
4:22 |
| |
(1380m) 76483 [B 24089] |
|
| 11. |
DIE LUSTIGEN WEIBER VON WINDSOR: Nun eilt herbei … Hahahaha!—Er wird mir glauben! (Nicolai) |
6:20 |
| |
(1381m) 76421 [B 24011]/(1382m) 76422 [B 24012] |
|
| 12. |
UNDINE: So wisse, dass in allen Elementen es Wesen gibt (Lortzing) |
7:00 |
| |
(1383m) 76484 [B 24090]/(1384m) 76485 [B 24091] |
|
| 13. |
DIE TOTEN AUGEN: Psyche wandelt durch Säulenhallen (d’Albert) |
2:33 |
| |
(19259L) 74608 [B 4000] |
|
| Deutsche Grammophon Gesellschaft/Polydor, Berlin, June 1921 |
| with studio orchestra, conducted by Bruno Seidler-Winkler |
| 14. |
DIE MEISTERSINGER VON NÜRNBERG: O Sachs! Mein Freund! (Wagner) |
2:24 |
| |
(416as) 76486 [B 24092] |
|
| 15. |
DIE WALKÜRE: Der Männer Sippe (Wagner) |
3:59 |
| |
(417½as) 76487 [B 24093] |
|
| 16. |
DER FREISCHÜTZ: Und ob die Wolke (Weber) |
4:22 |
| |
(418as) 76488 [B 24094] |
|
| 17. |
LES CONTES D’HOFFMANN: Elle a fui, la tourterelle. Ah! souvenir trop doux! (Sie entfloh, die Taube, so minnig. O grausames Geschick!) (Offenbach) |
3:53 |
| |
(419as) 76489 [B 24095] |
|
| 18. |
Cäcilie, Op. 27, No. 2 (R. Strauss) |
2:11 |
| |
(420as) 76454 [B 24029] |
|
| 19. |
Morgen, Op. 27, No. 4 (R. Strauss) |
3:40 |
| |
(42as) 76490 [B 24096] |
|
| Deutsche Grammophon Gesellschaft/Polydor, Berlin, September 1921 |
| with studio orchestra, conducted by Bruno Seidler-Winkler |
| 20. |
Der Spielmann (Hildach) |
3:56 |
| |
(530as) 76453 [B 24028] |
|
CD 3 (78:45)
|
| Deutsche Grammophon Gesellschaft/Polydor, Berlin, September 1921 (continued) |
| 1. |
LA JUIVE: Il va venir (Er kommt zurück) (Halévy) |
3:53 |
| |
(531as) 76464 [B 24045] |
|
| 2. |
LE NOZZE DE FIGARO: Voi, che sapete che cosa è amor (Ihr, die ihr Triebe des Herzens kennt) (Mozart) |
3:11 |
| |
(1121ar) 74615 [B 4010] |
|
| Odeon, Berlin, 13 February 1924 |
| with members of the Berlin State Opera Orchestra, conducted by Carl Besl |
| 3. |
MANON: Obéissons quand leur voix appelle … Profitons bien de la jeunesse (Folget dem Ruf, so lieblich zu hören … Nützet die schönen, jungen Tage) [Gavotte] (Massenet) |
3:06 |
| |
(xxB 6945) Lxx 80934 |
|
| 4. |
TOSCA: Vissi d’arte, vissi d’amore (Nur der Schönheit weiht’ ich mein Leben) (Puccini) |
3:06 |
| |
(xxB 6946) Lxx 80935 |
|
| 5. |
LA BOHÈME: Mi chiamano Mimì (Man nennt mich Mimi) (Puccini) |
4:22 |
| |
(xxB 6947) Lxx 80933 |
|
| 6. |
MANON LESCAUT: L’ho abbandonato … In quelle trine morbide (Hab’ ihn verlassen … Ach, in den kalten Räumen hier) (Puccini) |
2:58 |
| |
(xxB 6948) Lxx 80936 |
|
| 7. |
MADAMA BUTTERFLY: Un bel dì vedremo (Eines Tages seh’n wir) (Puccini) |
4:08 |
| |
(xxB 6949) Lxx 80937 |
|
| Odeon, Berlin, 18 February 1924 |
| with members of the Berlin State Opera Orchestra, conducted by Carl Besl |
| 8. |
MANON: Allons! Il le faut! Pour lui-même! … Adieu, notre petite table (‘s ist für ihn! … Leb’ wohl, mein liebes kleines Tischchen) (Massenet) |
3:44 |
| |
(xxB 6952) Lxx 80938 |
|
| 9. |
TANNHÄUSER: Dich, teure Halle, grüß’ ich wieder (Wagner) |
3:12 |
| |
(xxB 6953) Lxx 80939 |
|
| 10. |
DIE WALKÜRE: Du bist der Lenz (Wagner) |
2:06 |
| |
(xxB 6954) Lxx 80940 |
|
| Odeon, Berlin, 24 March 1924 |
| with members of the Berlin State Opera Orchestra, conducted by Georg Szell |
| 11. |
TANNHÄUSER: Allmächt’ge Jungfrau (Wagner) |
4:12 |
| |
(xxB 6972) Lxx 80947 |
|
| 12. |
OTELLO: Piangea cantando nell’erma landa (Sie saß mit Leide auf öder Heide) [Willow Song] (Verdi) |
4:29 |
| |
(xxB 6973) Lxx 80955 |
|
| 13. |
LOHENGRIN: Euch Lüften, die mein Klagen (Wagner) |
3:37 |
| |
(xxB 6974) Lxx 80979 |
|
| Odeon, Berlin, 17 April 1924 |
| with members of Berlin State Opera Orchestra, conducted by Georg Szell |
| 14. |
DIE TOTE STADT: Glück, das mir verblieb (Korngold) |
4:14 |
| |
with Richard Tauber, tenor
(xxB 6993-1) Lxx 80944 |
|
| 15. |
DIE TOTE STADT: Der Erste, der Lieb’ mich gelehrt (Korngold) |
3:10 |
| |
(xxB 6994-1) Lxx 80945 |
|
| 16. |
DIE TOTE STADT: Der Erste, der Lieb’ mich gelehrt (Korngold) |
2:54 |
| |
(xxB 6994-2) Lxx 80945 |
|
| Odeon, Berlin, 17 October 1925 |
| with members of the Berlin State Opera Orchestra, conducted by Hermann Weigert |
| 17. |
DER FREISCHÜTZ: Wie nahte mir der Schlummer (Weber) |
4:09 |
| |
(xxB 7239) Lxx 81100 |
|
| 18. |
DER FREISCHÜTZ: Alles pflegt schon längst der Ruh’ … Leise, leise, fromme Weise (Weber) |
3:49 |
| |
(xxB 7240-1) Lxx 81101 |
|
| 19. |
DER FREISCHÜTZ: Alles pflegt schon längst der Ruh’ … Leise, leise, fromme Weise (Weber) |
3:44 |
| |
(xxB 7240-2) Lxx 81101 |
|
| 20. |
DIE MEISTERSINGER: O Sachs! Mein Freund! (Wagner) |
2:39 |
| |
(xxB 7241) O-9518 |
|
| 21. |
LOHENGRIN: Einsam in trüben Tagen (Wagner) |
4:13 |
| |
(xxB 7243) O-9518 |
|
| 22. |
DER ROSENKAVALIER: Kann mich auch an ein Mädel erinnern (R. Strauss) |
3:46 |
| |
(xxB 7244) Lxx 81103 |
|
CD 4 (79:00)
|
| Odeon, Berlin, 22 October 1925 |
| with members of the Berlin State Opera Orchestra, conducted by Hermann Weigert |
| Sung in E-flat |
| 2. |
MADAMA BUTTERFLY: Ah! Quanto cielo! … Ancora un passo or via (Oh! Weiter Himmel! … Bald sind wir auf der Höhe) [Entrance of Butterfly] (Puccini) |
2:40 |
| |
with female chorus
(xxB 7251-1) Lxx 81102 |
|
| 3. |
MADAMA BUTTERFLY: Ah! Quanto cielo! … Ancora un passo or via (Oh! Weiter Himmel! … Bald sind wir auf der Höhe) [Entrance of Butterfly] (Puccini) |
2:38 |
| |
with female chorus
(xxB 7251-2) Lxx 81102 |
|
| 4. |
FAUST: Je voudrais bien savoir … Il était un roi de Thulé (Ich gäb’ was drum … Es war ein könig in Thule) (Gounod) |
4:27 |
| |
(xxB 7252) Lxx 80998 |
|
| 5. |
Stille Nacht (Gruber) |
4:21 |
| |
(xxB 7253) Rxx 80600 |
|
| 6. |
O du fröhliche (Traditional) |
3:17 |
| |
(xxB 7254-2) Rxx 80601 |
|
| Odeon, Berlin, 5 August 1926 |
| with Mischa Spoliansky, piano |
| 7. |
Monatsrose (zu Eulenburg) |
1:47 |
| |
with Dajos Béla, violin
(xxB 7477) O-8703 |
|
| 8. |
Wilde Rose (zu Eulenburg) |
2:34 |
| |
with Dajos Béla, violin
(xxB 7477) O-8703 |
|
| 9. |
Weiße und rote Rose (zu Eulenburg) |
2:57 |
| |
(xxB 7478) O-8703 |
|
| 10. |
Rankende Rose (zu Eulenburg) |
2:03 |
| |
(xxB 7479) O-8704 |
|
| 11. |
Seerose (zu Eulenburg) |
2:25 |
| |
(xxB 7479) O-8704 |
|
| (Dajos Béla is one of the stage names used by the Russian violinist Leon Goltzmann, born Kiev, 25 December 1897, died Argentina, 5 November 1978. Under various pseudonyms such as Dajos Béla, Sándor Jozsi, and Leon Leonidoff, he led symphonic, salon, and dance orchestras on several thousand recordings for Odeon and Parlophone between 1921 and 1933.) |
| A selection of Lotte Lehmann’s electrical Odeon recordings |
| 1927-1932 |
| 13. |
TURANDOT: In questa reggia, or son mill’anni e mille (In diesem Schloß, vor vielen tausend Jahren) (Puccini) |
4:04 |
| |
16 February 1927; (xxB 7609) O-9602 |
|
| 14. |
TURANDOT: Del primo pianto (Die ersten Tränen) (Puccini-Alfano) |
3:15 |
| |
16 February 1927; (xxB 7610) O-9602 |
|
| 15. |
DAS WUNDER DER HELIANE: Ich ging zu ihm (Korngold) |
6:59 |
| |
13 March 1928; (xxB 7997-2, xxB 7998-2) O-8722 |
|
| 16. |
EVA: So war meine Mutter (Lehár) |
3:56 |
| |
3 September 1928; (xxB 8150) issued only on Parlophone R 20275 |
|
| 17. |
Schmerzen (Wagner) |
2:40 |
| |
13 June 1929; (Be 8299-2) O-4812 |
|
| 18. |
Träume (Wagner) |
3:18 |
| |
13 June 1929; (Be 8300-2) O-4812 |
|
| 19. |
Die Lotusblume, Op. 25, No. 7 (Schumann) |
2:17 |
| |
2 April 1932; (Be 9910) O-4839 |
|
| 20. |
An den Sonnenschein, Op. 36, No. 4 (Schumann) |
1:16 |
| |
2 April 1932; (Be 9911) O-4839 |
|
| 21. |
Marienwürmchen, Op. 79, No. 14 (Schumann) |
1:38 |
| |
2 April 1932; (Be 9911) O-4839 |
|
| 22. |
Vergebliches Ständchen, Op. 84, No. 4 (Brahms) |
2:37 |
| |
26 May 1931; (Be 9497) O-4829 |
|
| 23. |
Traum durch die Dämmerung, Op. 29, No. 1 (R. Strauss) |
2:51 |
| |
13 June 1929; (Be 8303) O-4820 |
|
| 24. |
Ständchen, Op. 17, No. 2 (R. Strauss) |
2:51 |
| |
13 June 1929; (Be 8304) O-4820 |
|
| 25. |
An die Musik, Op. 88, No. 4, D547 (Schubert) |
3:34 |
| |
6 December 1927; (xxB 7873) O-8724 |
|
|
Languages: All tracks sung in German
|
|
Accompaniment:
CD 4: Tracks 13 and 14 with members of the Orchestra of the Berlin City Opera, conducted by Fritz Zweig; Track 15 with members of the Berlin State Opera Orchestra, conducted by Manfred Gurlitt; Track 16 with members of the Berlin State Opera Orchestra, conducted by Hermann Weigert; Tracks 17 and 18 with members of the Berlin State Opera Orchestra, conducted by Frieder Weissmann; Tracks 19-21 with Odeon Chamber Orchestra, conducted by Manfred Gurlitt; Track 22 with instrumental trio; Tracks 23 and 24 with members of the Berlin State Opera Orchestra, conducted by Frieder Weissmann; Track 25 with Odeon chamber orchestra, conducted by Manfred Gurlitt
|
